Thomas Dartmouth Rice Edit Profile
also known asDaddy Rice
performerplaywrightMinstrel
Thomas Dartmouth Rice, known professionally as Daddy Rice, was an American performer and playwright.
Background
Thomas Dartmouth Rice was born on May 20, of poor parents in New York City.
Education
Rice received some formal education in his youth.
Career
Although trained as a wood carver, he early became a supernumerary at the Park Theatre. Abandoning his work as an artisan, he took to the open road as an itinerant player, and made his way to the Ohio Valley frontier, where he was employed, under the management of Noah Miller Ludlow in Ludlow and Smith&#;s Southern Theatre in Louisville, Kentucky, as property man, lamp lighter and stage carpenter.
In , he played minor stock parts, and between acts, presented negro imitations. It was as an interpolation between the acts of Solon Robinson&#;s The Rifle that Rice first sang and jumped &#;Jim Crow. &#;
He found the pattern for his stage success in the performance of a negro whom he encountered in Louisville, cleaning the horses in the stable-yard near the theatre where Rice
T.D. Rice, black-face minstrel originator of the "Jim Crow" character, dies in New York City
New Yorker Thomas Dartmouth, known as T.D. Rice, or "Daddy" Rice, was a world-famous stage performer who had invented and popularized the black-face minstrel character of "Jim Crow" beginning in the late s. The dancing African-American character was purportedly based on an actual crippled slave who worked in a livery stable in Louisville, Kentucky near a theater where Rice was performing. Careless with his wealth, Rice died in near poverty in New York City aged fifty-two. (By John Osborne)
Source Citation
Mark Knowles, Tap Roots: The Early History of Tap Dancing (Jefferson, NC: McFarland and Co., ),
Thomas Dartmouth Rice: History &#; Major Facts
Thomas Dartmouth Rice, often referred to as &#;Daddy&#; Rice, was an influential American performer in the 19th century, credited with helping to popularize blackface minstrel shows and the &#;Jim Crow&#; character.
His contributions left a lasting, albeit controversial, impact on American culture, particularly in shaping racial stereotypes that influenced the entertainment industry and American society.
How did Rice claim to have developed the Jim Crow character? And what other character stereotype did Rice perform besides Jim Crow?
Below is a detailed exploration of Rice&#;s history, career, and legacy.
Thomas Dartmouth Rice incorporated African American vernacular speech, music, and dance into his act, which gained widespread popularity both in the U.S. and internationally.
Thomas Dartmouth Rice was born on May 20, , in Manhattan’s Lower East Side, near the East River docks. His family resided in an area known for its commercial activity, influenced by the bustling life of New York City’s waterfront.
Though Rice received some formal education as a child, his schooling was cut short when he became an apprentice to a wood
Thomas Rice, The Face of &#;Jim Crow&#; born
*Thomas Rice was born on this date in He was a white-American entertainer and playwright who popularized the Jim Crow character in minstrel shows.
Thomas Dartmouth Rice was born in the lower east side of Manhattan, New York, near the East River docks. Rice received some formal education in his youth but quit school in his teenage years when he acquired an apprenticeship with a woodcarver named Dodge. Despite his occupational training, Rice quickly made a career as a performer. By , he was a traveling actor, appearing as a stock player in several New York theaters and performing on frontier stages in the coastal South and the Ohio River valley.
The actual origin of the Jim Crow character has been lost to legend. Rice, as identified with the character the most, used African American vernacular speech, song, and dance to become one of the most popular minstrels show entertainers of his time. Several sources describe a tale of Rice encountering an elderly Black stableman working in one of the river towns where Rice was performing. Rice also observed and absorbed the Black experience in song and dance over many years.
Rice appeared
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