Aideen Barry is a visual artist based in Ireland but with an international profile. Her work encompasses a vast range of disciplines and subjects, including postcolonialism, labour, environmental changes, classism, intersectionality and human vulnerability. Her means of expression are interchangeable, incorporating performance, sculpture, film, text and experimental lens based media often co-creating works with other(ed) artists.
Her work has been exhibited across the world such The Irish Museum of Modern Art (IMMA), Ireland; CAC Malaga, Spain; The Headlands Center for the Arts, US; Centre for the Less Good Idea, South Africa; Art OMI, US; The Whitaker Museum, UK; NASA Kennedy Space Center; among many others. She is a member of Aosdána and the Royal Hibernian Academy. Her work is in prestigious private ownership and public museum collections globally.
SELECTED EXHIBITIONS & PROJECTS
FORMAT Festival, curated by Peggy-Sue Amison (UK)
The Song of the Bleeding Tree, (SOLO) curated by Séamus Kealy, Salzburg Kunstverein, (Austria)
Collaboration with musician Peter Gabriel (UK/Worldwide)
It took a Century, The National Gallery of Ireland (IRL)
RHA Annual Exhibition, The Royal Hibernian Academy (IRL)
ISCP International Studio & Curatorial Program Residency Award by Temple Bar Gallery & Studios, New York (USA)
Optimisim for the Future, Kaunas European Capital of Culture Lithuania, commissioned Artist for the European Capital of Culture Klostés/
Folds/Pleats, feature film to be presented during the year of Culture.(LIT)
by slight ligaments we are born to prosperity or ruin, , touring solo curated by Sarah Searson, Limerick City Gallery of Art, Source Art Centre,,
Centre Cultural Irlandais Paris, Canadian Consulate Paris, Lithuanian Consulate Paris, Belfast International International Arts Festival & North
America
IMMA
Overview
Aideen Barry is an artist whose means of expression are interchangeable, incorporating performance, moving image and sculptural manifestations. Employing visual trickery to create a heightened suspension of reality, the common denominator of Barrys work is an attempt to deal with anxiety.
At play in her more recent works is an emphasis on optical fiction to generate a sense of cognitive dissonance. The viewer experiences the work in a paradoxical fashion: attracted and yet repelled. Barry often engages with the instance where something can be familiar, yet foreign at the same time, questioning an idea of phenomenology and resulting in situations of the uncomfortably strange and threatening. Feminist meditations on gynophobia and the monstrous are a McGuffin in her most recent moving image works.
During her time on residency at the Irish Museum of Modern Art, Barry will show solo, presenting some of her most recent performative film works in a survey show at the Royal Hibernian Academy. Other recent significant projects include: Projects at Lismore Castle, Visual Carlow, DLR Lexicon (), Commission by the Arts & Heritage Trust UK (), Changing Tracks, EU
Aideen Barry
Aideen Barry ( Cork, ) is a visual artist whose work meditates on the mysteries and metaphysics which govern her interest in das Unheimliche (The Uncanny). Her work oscillates between the intensely personal, to the quotidian, to the exceptional, often simultaneously. The common denominator of her work is an attempt to deal with anxiety. Barrys means of expression are interchangeable and she is known for working in the media of performance, film, animation, drawing, sculpture, installation, sound and musical composition.
She has had a number of solo shows at The Headlands Centre for the Arts (), Catherine Clark Gallery, USA (), The MCAC, Northern Ireland (), Galeria Isabel Malaga () Spain, The Butler Gallery, Kilkenny (), Galway Art Centre (), Mermaid Arts Centre(), Ard Bia Gallery (), Centre Cultural Irlandais () and she has been selected for curated projects in The Crawford Municipal Gallery, (Terror & The Sublime ), Project Arts Centre (), Temple Bar Gallery (), The Royal Hibernian Academy (, Futures), Limerick City Gallery of Art (), Solstice Arts Centre() and Visual, in Carlow ().
Internationally she has shown work in Liste Art Fair, Basel, Switzerla
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