Landscape painter William Lamb Picknell is especially famed for the quality of light in his plein-air painting, which was often glaringly intense, clear, and crisp. His inborn worship of nature was amply nourished by several American masters including esteemed Hudson River School and Tonalist painter George Inness, painter Robert Wylie, and Picknell’s friend Ralph Waldo Emerson. Although Picknell did not associate himself with any one “school” of art, he was at the heart of the American expatriate art scene. Picknell studied with Inness in Rome and with Wylie, who had been curator of the Pennsylvania Academy of the Fine Arts in Philadelphia, in Pont-Aven, addition to the examples provided by these American expatriates, Picknell was exposed to the major trends in nineteenth-century French painting, and in particular was influenced by Courbet’s realism.
Born in Hinesburg, Vermont on October 23, , Picknell was orphaned at the age of fourteen and went to live with family members in Chelsea, worked in a picture store on Tremont Street in Boston and in convinced an uncle to give him $1, towards art study in aged by his family to pursue art, for which he had a penchant, he left Boston
Banks of the Loing
Banks of the Loing by William Lamb Picknell
"Banks of the Loing", painted by William Lamb Picknell in , is an exemplary work of the American artist known for his plein air landscapes. Utilizing oil on canvas, Picknell captures the serene beauty of the Loing River in France, reflecting the influence of the Barbizon School on his technique and subject matter. The painting is notable for its vibrant depiction of natural light and meticulous attention to detail, characteristics that align with the Impressionist movement of the time. Picknell, who studied under Jean-Léon Gérôme in Paris, was deeply inspired by the French countryside, which became a recurring theme in his oeuvre. His works contributed to the transatlantic exchange of artistic ideas during the late 19th century, bridging American and European art traditions. "Banks of the Loing" remains a significant piece, illustrating Picknell's mastery in capturing the ephemeral qualities of nature.
The landscapes of William Lamb Picknell were never studio conventions; nor were they idealized, romanticized or embellished creations. Picknell painted directly from nature in the open light, often in the raw glare of sunlight. Even winter scenes were painted directly, although sometimes from temporary glass enclosures. With loaded brush and palette knife Picknell thickly buttered his canvases with a rapidity that was legendary. A master figure painter, Picknell depicted the activities of the Portuguese and Yankee fishermen of the New England coast with direct objectivity. He was an absolute realist.
Works from this time period by Picknell are very special, as he was part of a small group of Americans who ventured to France at this time and worked in a manner so close to their European counterparts. These artists are considered expatriates, and at the time there was the hope that as they returned home with these works, collectors would accept them and buy them as they did the European masters. They are important precursors to Impressionism. And indeed Picknell is often one of the Americans sited as initiating the “glare aesthetic” and techniques that introduced a change of
William Lamb Picknell ( – )
William Picknell painted in a ‘plein-air’ style, usually capturing brilliant light and clear air in his works. This ‘glaring’ light technique characterized his works from nature and placed him in the forefront of outdoor landscape painting. He was also noted for his ample application of paint, a characteristic of many Impressionists. Picknell also became legendary for the rapidity in which he painted. He was a realist, a master figure painter, and often portrayed Portuguese and Yankee fishermen at work along the New England coastline.
William Picknell was born in Vermont in , and lived with relatives in Boston after becoming orphaned at age His family discouraged his pursuit of art as a career, but he continued to greatly admire the work of George Inness, an influential and highly regarded painter. Inness was in Italy at the time, and a relenting uncle provided a one-time $ stipend for Picknell to join Inness there. Two years later, Picknell attended the Ecole des Beaux-Arts* and then moved to a small village, Pont Aven, along the Brittany coast. There, an assembly of international artists had established a colony. In ,
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